Eigashima Sakura

A quick glance at the label on this bottle confirms that this is a bit of an interesting one.

Eigashima Sakura

Distilled in July 2010, the Eigashima Sakura was matured in an ex-Shochu cask and a hogshead for a combined period of three years, before being finished is a red wine cask for a further one and half years before being bottled at 58% ABV.

I don’t know about you, but there are a few words on this label that I wasn’t immediately familiar with, namely the words Eigashima and Shochu. I have heard of both, but I must admit I had to hit the books (aka Google) and do a bit of research to really understand and appreciate this one.

Eigashima

We’ll start with Eigashima. You may not have heard of Eigashima, but you may have heard of another small Japanese distillery called Akashi. Well, in basic terms, they’re kind of one and the same.

Located just our of Kobe, Japan, Eigashima is the parent company that runs the White Oak Distillery, who produce whisky bottled under the Akashi brand. Interestingly, they only produce whisky for two to three months a year and with a team of just four people, they’re the smallest whisky distillery in Japan.

Eigashima Sakura

So if they’re only making whisky for a couple of months a year, what are they doing the rest of the time? Well that leads us to that second word I wasn’t overly familiar with..

Shochu

You see, Eigashima’s core business is producing two of Japan’s favourite distilled drinks, sake and shochu. Sake is essentially a brewed rice wine, but shochu is quite a bit different. It’s first brewed, then distilled and can be made from a variety of different ingredients including sweet potatoes, barley, buckwheat, rice, sweet corn or even brown sugar. After distillation it’s then matured for a relatively short time (compared to whisky), in either stainless steel tanks, clay pots or – you guessed it – wooden casks!

There’s a lot more to it and the history and production is quite fascinating, so feel free to check this out for further info.

Eigashima Sakura

Now that we know a bit more about Eigashima and Shochu, I’d say it’s time we taste. Kanpai!

Eigashima Sakura

When first poured, I’d say that the Sakura isn’t immediately recognizable as whisky. I get more of a plum wine and Slivovitz top note on a bed of raw white grain spirit and as it sounds – it’s not great. Air is its friend though. Fifteen minutes in the glass opens this dram right up to reveal a rich, thick nose of runny toffee, marmalade, balsamic reduction and heavily charred figs. I get a hint of potpourri, char and dark soy. It’s not sherried, it’s almost like an older complex Armagnac, but that grainy vodka-like spirit notes pokes it head through here and there.

On the palate it’s immediately oily giving rise to a burst of spirit heat which quickly fades to deliver sweet, chewy berry notes, brown sugar and a slight fizz. The residue is almost savory though, with a saline tang turning very dry and tannic on the finish with a slight bitter waxiness.

I would never pick this as a sub-five year old whisky and despite the young age and high proof, I have no desire to add water to this one. There’s so much going on which makes me think Eigashima have been very clever with their cask selection here. However, as is often case with heavy wine finishes, the drying bitter finish isn’t quite the crescendo I was looking for.

Eigashima Sakura

Having never tasted Shochu, I can’t really comment on the influence the shochu cask has had on this whisky. However, even before reading up on it, I did get a distinct white grain/potato spirit (almost vodka-like) note on the nose. I don’t know what type of shochu cask was used in the finishing (sweet potato, barely, brown sugar etc.), but this was a really interesting note, in a really interesting whisky.

Ardbeg Day 2015: Sydney

Ardbeg Day in Sydney is always a feast for the senses, so strap yourself in, pour a dram and get ready for a pictorial onslaught. Here’s a little glimpse into how Ardbeg Day 2015 unfolded in Sydney.

Ardbeg Day Sydney

Rocking up to the passenger ship cruise terminal at White Bay in Sydney, a small group of keen Ardbeggians – clad in their best tartan – had gathered ahead of the starting time in anticipation. The eager group didn’t have to wait long before passing through the glass doors and approaching the metallic silver curtain we’d been eyeing off from outside.

Ardbeg Day Sydney

Our event was guarded by a duo of intergalactic hostesses and a gang of awesome little space Shorties.

Ardbeg Day Sydney

Welcome to the future.

Ardbeg Day Sydney

The future greeted us with cocktails – a berry, rosemary and tonic concoction, or a peach, agave and citrus number – whichever took your fancy. I sampled both (purely for research purposes, of course), but just like last year, the peach + peat combo won hands down in my book. Very moreish stuff.

Ardbeg Day Sydney #ArdbegDay

I soon found some familiar faces, plonked my bag down and surveyed the room. In keeping with the 200th anniversary theme, the vast space was dotted with glimpses into both the past and the future. Anyone who was alive in the 80’s cracked a big smile at the site of this stainless bodied DMC-12 DeLorean, which acted as a photo-booth (of sorts) on the day.

Ardbeg Day Sydney #ArdbegDay

Ardbeg Day Sydney #ArdbegDay

Release the inner child, pretend your Marty McFly for a few minutes then collect your retro polaroid as a memento.

Ardbeg Day Sydney #ArdbegDay

How about a quick punt around a circuit on a Segway? A game of space invaders, or perhaps some robodog racing?

Ardbeg Day Sydney #ArdbegDay

I had a shot and eventually coaxed my little plastic friend over the finish line, which entitled me to a pick from the generous prizes on offer. I scored myself a classy Ardbeg umbrella (perfect as we’re coming into winter here in Sydney), choosing it over what I thought was just an ordinary t-shirt..

Ardbeg Day Sydney #ArdbegDay

..but ordinary t-shirt it wasn’t, these things were loaded with futuretastic LEDs! Looking past Tron man, I soon noticed a queue forming in front of an interesting little gazebo. Inside, the Ardbeg Haar, a crowd-pleasing contraption that vaporized Ardbeg, allowing you to inhale the peated fog.

Ardbeg Haar

If you needed a short sit down, guests could pull up an egg chairs and have a quiet chat or sit back and contemplate. These things looked like they were straight off the set of Men in Black.

Ardbeg Day Sydney #ArdbegDay

LVMH ambassador Garth (centre) was on hand, looking sharp as always in his Broadway/ Daft Punk/ welding get-up!

Ardbeg Day Sydney #ArdbegDay

DJ Ardbeg Day (I’m quite sure that wasn’t his name..) kept the beats going throughout the day and queued up Sprach Zarathustra to ring in the hero of the day, the new Ardbeg Perpetuum.

Ardbeg Day Sydney #ArdbegDay

Waiters stepped forward out of the mist and Andew Derbidge (of the SMWS) was on hand to do the official introductions. Andrew informed us that Perpetuum is almost like a collection of Ardbeg’s greatest hits. Made up of classic ex-Bourbon and ex-Sherry casks, in Andrew’s words, it also contains “a smattering of new French oak casks from Corryvreckan, some un-bottled Alligator casks, a few Manzanila sherry casks from Ardbog, the odd Marsala cask” for good measure.

Ardbeg Day Sydney #ArdbegDay

I’m hesitant to attempt any sort of comprehensive notes myself, as I only tasted the smallest amount on the day. In terms of first impressions though, I found Perpetuum to be a lighter, more summery Ardbeg. Soft peat on the nose, some sweetness and citrus followed, but far punchier on the palate, especially from the peat and smoke point of view (which should keep the peat-heads happy!)

Ardbeg Day Sydney #ArdbegDay

As with last year, there was no shortage of good food on offer, with plenty of canapés and small bites.

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As well as a team of chefs cooking up a mother load of mushroom gnocchi

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As the day drew to a close, a complimentary shuttle bus ferried us back across the bridge into town and we had a choice of two points of departure. The train station. Or the after party at Sydney’s Ardbeg Embassy, Stitch Bar. Tough decision indeed..

Ardbeg Day Sydney Stitch Bar

Descending the stairs into the train station, it soon became apparent I got off at the wrong stop and was indeed at Stitch. How that happened, we’ll never know.. I found myself in an Ardbeg den, where the party was still going strong and the Ardbeg generously (but responsibly) flowing!

Ardbeg Day Sydney Stitch Bar

The Stitch team were all kitted up, getting into the fun spirit of the day.

Ardbeg Day Sydney Stitch Bar

The Ardbeg Haar made another appearance, keeping plenty of people entertained at the bar

Ardbeg Day Sydney Stitch Bar

Good mate Wonder & Whisky was on hand to share in a Perpetuum boiler maker

Ardbeg Day Sydney Stitch Bar

Before Stitch dynamo, Mattia, cranked out a special Dark Side of the Moon cocktail for me, a science experiment of peach ice cream + Ardbeg Ten + Liquid nitrogen

Ardbeg Day Sydney Stitch Bar

Ardbeg Day Sydney Stitch Bar

Come early evening, I said my farewells but I’m fairly sure the party was going to be cranking well into the night.

Here’s to the next 200 years

Sydney Australia might be some 17,017km from Ardbeg’s home in Islay, but hey, what’s a few kilometres between friends. It’s not going to stop us celebrating with you. Sláinte mhaith Ardbeg, here’s to the next 200 years!

Ardbeg Day Sydney Stitch Bar

If you like the look of this and want to be part of the fun next year, head on over to Ardbeg.com, sign up to become a committee member (it’s free!) and you’ll be the first to hear about exclusive Ardbeg events happening in your neck of the woods. They’re really not to be missed!

Teeling Small Batch & Single Grain

Luck of the Irish? More like skill of the Irish.

A nice little care package (complete with a tweed peaked flat cap) recently arrived from the generous folks at the Teeling Whiskey Company.

Teeling Whiskey

Whilst the Teeling family name is steeped in Irish whiskey making tradition as far back as 1782, these whiskeys hail from the current generation of Teelings who are in the process of setting up their very own distillery. When they run their stills for the first time in the next week or two, the Teeling Whiskey Distillery will be the first new distillery to operate in Dublin in more than 125 years.

Teeling Small Batch

The first of the two whiskeys is the flagship Teeling Small Batch, a blend of malt and grain whiskies that are aged for a minimum of seven and four years respectively. Selected casks are then vatted together and finished for a further six months in Flor De Cana rum barrels to give the Small Batch an extra layer of complexity.

Teeling Small Batch

On the nose it’s unmistakably rummy (and Irish). Breaking that down, I got notes of sweet green apple, orange concentrate and a soft malty sweetness that reminded me of sponge cake in quality. The nose was soft, round, mellow and completely approachable.

I found the palate immediately oily and tongue coating, but not thick or cloying. The mouthfeel gives way to the lightest tingle of spice followed by a sweet malty biscuit quality (almost pastry like), with syrup and a hint of citrus. A vanilla-rum sweetness hangs around on the finish.

Teeling Single Grain

The second of the two is the new (to Australia) Teeling Single Grain whiskey, made from corn (maize) and distilled in column stills, as opposed to the traditional copper pot still. The interesting thing about this one is that it’s been fully matured in American Oak ex-Californian Cabernet Sauvignon wine casks for around five to six years, giving it that alluring coppery-red hue.

Teeling Single Grain

On the nose I found this fairly recognizable as a grain whiskey and initially a little thin and muted. Letting it open up for a few minutes though I found some lovely sweet jam notes, brown sugar, new fresh oak casks (the smell of walking into a winery cellar – perhaps suggestive of the cask influence on this one as well)

As with the Small Batch, the mouthfeel is oily and tongue coating, opening up with a burst of vanilla and berry jam. The fresh young oak taste translates as well and it finishes quite dry and short.

This one is super easy to get along with and given its price point (around the AU$65 mark), I can understand how this won World’s Best Grain at the World Whisky Awards last year.

Some other thoughts

Whilst carrying the ‘Teeling Whiskey’ name, both of these were actually distilled at the Cooley Distillery, which also happened to be established by the Teeling family back in 1987.

I find rather interesting that Teeling have played around with cask finishing on these two, something you see a lot with Scotch whisky, but not quite as much of in the Irish whiskey world. I think they’ve been really clever here and it’s helped them release some young, but super enjoyable and characterful whiskey.

Another thing that really works in their favour is that both of these are bottled at 46% ABV and they’re both non chill-filtered. If that doesn’t mean much to you, have a read of this. Essentially though, it helps give both of these whiskeys a lovely oily character that’s full of flavour and I can’t imagine anyone not getting along nicely with these two.

The Teeling Small Batch and Single Grain are both available in Australia for around the $55 and $65 mark respectively and later this year they will also be joined by the new Teeling Single Malt expression!

SMWS 127.37 Dinosaurs dancing to Stravinsky

A young refill sherry Port Charlotte

This peated powerhouse is one pour away from the bottle graveyard, so I thought I’d document a few notes here before it’s gone for good. What you’re looking at is actually the first ever SMWS bottle I purchased, a nine year old Port Charlotte that I picked up back in 2013.

SMWS 127.37

If you’re not overly familiar with the Scotch Malt Whisky Society (SMWS) and these unique bottlings, have a flick through this. In a nutshell though, all SMWS bottles are single cask, cask strength whiskies, bottled without chill-filtering and without the addition of colouring. It’s whisky at its purest.

The whisky

On the nose I get thick, sweet and creamy vanilla notes, Stroopwafel (those Dutch caramel waffle biscuits), smoked honey, a slight BBQ char note and hints of that trademark putty/rubber glove scent that I always associate with Port Charlotte. Despite the strength, the nose is round and whilst there’s a prickle, it doesn’t quite give away the immensity of this dram.

On the palate I get an immediate prickle and burst of salivation that gives way to a big, juicy and oily mouth feel. There’s coal fired vanilla desserts and white pepper. It’s sweet, thick and creamy with salted crème caramel and char. As you’d expect, the finish is long and warming, but there’s also a lingering and comforting sooty ash note.

SMWS tasting glass

In case you can’t quite see it on the label, this bottle weighs in at a heft 66.5% ABV. I know some purists out there would happily tackle this sans water (Andrew, I’m looking at you) and indeed I have on many an occasion. However, I actually really enjoyed this one with the smallest dash of water.

If the high ABV spirit is the dinosaur, then I guess that quality sherry cask is Stravinsky, taming a big ballsy whisky and making it dance. It’s lovely stuff.

Was it open for too long?

From start to finish, this bottle was open for a good 12 months or more. Like most diehard whisky fans, I’ve read plenty of articles about the dreaded ‘oxidization’ of spirits and started to get a little paranoid about the numerous open bottles I had, such as this one. I went and bought sample bottles to decant them and picked up various inert gas sprays used by the wine folk to displace oxygen in open bottles. Then I started to realise that it was all a bit annoying and couldn’t be bothered.

I’m kind of glad I did, as this bottle is just one example of how much whisky can actually open up and evolve with some airtime. I’m sure not every bottle will be enhanced by air, but I’m convinced that some of them will be, and it can be quite a fun learning experience revisiting them over time and seeing how they evolve.

Benromach 100° Proof

Tasted alongside its sibling, the Benromach 10 year old

Like many distilleries in Scotland, Benromach has a rather interesting history of ups and downs over the years. It was originally founded way back in 1898, but over the course of the next hundred years or so it was sold, closed and re-opened more times than I care to detail.

That was until independent bottler Gordon & Macphail decided to give it some loving and embarked on a project to refurbish Benromach and put it back into production. It officially came back to life in October 1998 and in 16 short years has managed to conjure up a pretty impressive portfolio of whisky that seems to just get better and better (have you tried their latest ‘peat smoke’!?)

Knowing that they’re making some pretty tasty drams these days, I was very keen to try their new 10 year old, bottled at 100° proof. So you can imagine how chuffed I was when this nicely presented set showed up courtesy of the folks at Alba Whisky.

Benromach 100 proof

Thanks to this generous set, I’d have the chance to be able to taste the new higher proof 10 year old side-by-side with the original. After all, they are supposedly constructed in exactly the same way, with the only difference being chill-filtering and a different alcohol percentage. Time to see what kind of difference this really makes.

Benromach 10 year old 43% ABV

First up was the widely available 10 year old expression. It’s comprised of 80% ex-bourbon cask matured whisky and 20% ex-sherry cask matured whisky. These parcels are then vatted together and left to rest for their final year in an ex-Oloroso sherry cask before being bottled. Talk about labour intensive.

Benromach 10 year old

I found the nose quite heavy (as in, laden with plenty of layers), but at the same time it seemed bright and active. Honey, malty sweetness, crushed biscuits, dried pineapple, tangy and buttery with a whiff of smoke.

The more I came back to it, the more it changed, so take the above with a grain of salt. One thing I can confidently say is that there seemed to be quite a lot going on for your average 10 year old!

A nice lightly oiled mouthfeel for a 43%er. Hints of spice up front, sweetness, apple skins and sultanas with a fair amount of damp vegetal smoke on the finish. Not overly warming, but well balanced with a lot of flavour left behind on the palate.

Benromach 10 year old 100° Proof (57% ABV)

Many of you (especially if you’re reading this from the U.S.) would be wondering how 100° Proof equates to 57% ABV. You’d probably expect it to translate to 50% ABV, right?

The key is in the ° symbol, indicating the old imperial measurement of ‘degrees proof’, whereby 100° equates to 57.15% ABV. There’s actually a neat story linking this back to rum, naval times and the flash point of gunpowder (you can read more here). Anyway, I digress. Back to the whisky.

Benromach 100 proof

It’s not just the photo, but as you’d notice from the first image, the 100° proof bottling is noticeably darker in colour.

It’s immediately richer on the nose. Perhaps not as ‘lively’ as the regular ten, but it’s depth could easily make you think it’s older than it is. Malty caramel sauce, creamy, hints of vanilla, some spice and the red fruits you’d associate with sherry maturation. That little whiff of smoke is hardly evident.

BenromachLegs

Quite hot and prickly up front on the palate, but this transitions into a thick and creamy mouth-feel. Sweet honey, malty biscuits, spice and jammy berries. A dash of water tames the heat and enhances the sweet, creamy richness, but I found it detracted from the lovely nose, so experiment carefully.

The verdict

Both come across to me as very well made whiskies. What do I mean by that exactly? It’s a little had to articulate I suppose. They’re not necessarily in your face or memorable for one particular note, rather they just leave you with a general impression that they’re very well balanced, well thought out and crafted with precision. I like to think that’s a hallmark of something that’s well made.

With all that being said, Benromach still fly under many people’s radars a little bit. A bit of a shame really, as they’re producing some pretty smart whisky indeed.

The new Benromach 10 year old 100° proof is now available in Australia through specialty whisky retailers at around the AU$150-160 mark. Thanks again to Alba Whisky for the generous (and photogenic) samples.