Longmorn 12 year old

Bottled by Gordon & MacPhail

One evening, well over a year ago, I was browsing the online catalogue of a major drinks retailer when I spotted a few whiskies in their ‘Clearance’ section. One of them happened to be this 12 year old Longmorn bottled by Gordon & MacPhail, so I picked it up for around the AU$50 mark and thought I’d give it a go.

Longmorn bottle

Aside from the official 16 year old (which is the only current official bottling), we don’t really see that many Longmorn expressions in Australia, not even indie bottles. The distillery itself has quite a high capacity (around 3.5 million litres per year) with most of it destined for Pernod Ricard blends, like the Chivas range. With a production capacity of that size, there seems to be plenty of whisky going to the independent bottlers out there and some of them are bottling expressions that are well worth trying! (I’ve tried some fantastic Longmorn in the past).

Longmorn 12

Not an awful lot of information on this one apart from the 12 year age statement and 40% ABV. I’m almost certain it’s been chill-filtered and if I had to guess, I’d say it’s more than likely made up of refill bourbon casks with a smattering of refill sherry casks in there. I’d probably consider this to be somewhat of an entry level malt if you will.

Notes

On the nose I got all of those classic soft Speyside notes like green pears and apples, freshly cut grass, some light zesty notes and a mild honey sweetness. There’s also a hint of funky cardboard.

Very thin on the palate, with some mild baking spices up front, followed up green apples, some barley/cereal maltiness and a hint of marmalade. It finishes quite dry with some oaky spice and powdered ginger, whilst that cardboard note from the nose seems to work its way in there too. Overall I found it very mild and mellow with lots of soft pleasant notes, but also a couple of oddities that unbalanced it slightly.

Longmorn box

The bottom line

It’s not the most complex dram (but then again, I wasn’t expecting it to be), but it’s still quite an enjoyable, light, summertime whisky. I’d probably consider it as a pleasant alternative to the likes of the Glenmorangie 10 year old, or Glenfiddich/Glenlivet 12 year olds, perhaps a tad less-refined though. Nice work Gordon & MacPhail, looking forward to trying more from your range in the near future!

Glenfiddich 26 year old

Launched in Sydney, Australia

I’ve been dragging my feet a bit when it comes to updates. Not intentionally of course, but as much as I’d like it to be, whisky isn’t my bread and butter. So when the bread needs buttering unfortunately things on the whisky front sometimes take a back seat, but hopefully I’ll get back into the swing of things as the year starts to slow down a wee bit.

The Launch

Now to the reason you’re reading this post though. Back in September, the guys from William Grant & Sons held a rather lavish soirée to officially welcome Glenfiddich’s newest expression – the 26 year old – into the Australian market. This comes at a rather appropriate time considering they’ve just recently discontinued their 30 year old expression.

Elizabeth Bay House

The evening unfolded at Elizabeth Bay House in the Eastern-Sydney suburb of – you guessed it – Elizabeth Bay! If you’ve never been here (and no doubt most of you haven’t), it’s nestled among a mixture of art deco and modern apartment blocks in one of Sydney’s premier harbour-front suburbs. Directly across the road sits one of the most well manicured parks you’re likely to come across and beyond that, the sparkling waters of Sydney harbour.

Elizabeth Bay House

Entering the grand foyer, waiters circircled with canapés whilst a string quartet played ambiently in the background. There are many things that William Grant & Sons do well when they host an event, and without a doubt, food is always one of them. There must have been a dozen or so different dishes and I spent way too much time taking photos of them.

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Nestled under the main staircase, bartenders mixed a series of Glenfiddich-based cocktails, whilst neat pours of the core range were also on offer.

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Our host for the evening was Glenfiddich Brand Ambassor, and all ‘round legend, Mr James Buntin. This also happened to be one of his final public outings here as a week or so later he was off to the UK to take up his role as Balvenie’s newest Brand Ambassador. To all my UK friends, should you ever cross paths with the gent on the left, go say hello and tell him Sydney misses him!

Glenfiddich 26 year old

This handsome bottle wasn’t opening itself any time soon, so I took the opportunity to sneak off and explore a bit. After all, this is one of Sydney’s oldest historic houses and there was plenty of history to see. Eventually I descended the sandstone stairs into the house’s cellar. Here, the passageways and rooms were lined with a series of 26 photographs by Scottish photographer Simon Butterworth.

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It turns out that there was actually a really neat concept behind the photographs.

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To celebrate the release of the 26 year old, Glenfiddich commissioned Simon to take a series of 26 photographs capturing the production of the whisky itself. From the felling of the oak used in the original Bourbon casks, to the coopering process, barley malting, distilling and maturation.

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The images told a fantastic (and rather emotive) story of the whisky making process and the people behind it.

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The crowd soon followed suit and after some healthy sampling from the second Glenfiddich bar setup down in the cellars, it was time.

Glenfiddich 26 year old

James did the introductions, whilst waiters distributed ‘Excellence’ to those in wait.

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Whilst everyone cheers’d (is that even a word?) and enjoyed their pour of 26 year old down in the cellar, I retreated back up the stairs like the whisky nerd I am, to find somewhere peaceful and quiet to enjoy my dram contemplatively.

Walking into the now deserted foyer area of the house, I bumped into the cellar master of the SMWS, Mr Andrew Derbidge, who appeared to have had the same idea as me. At events like this, it’s far too easy to keep chatting and enjoying yourself. But given the exclusivity and price tag of this dram, I knew I wasn’t likely to be trying it again any time soon, so I made the effort to get some proper notes down.

Dram held to the nose in one hand, pen and notebook in the other, we both stood there in silence and got our nerd on.

Glenfiddich 26 year old

Nose

The main things I picked up right off the bat were those classic Glenfiddich baked pear and light fruity notes (well, that’s something I often associate with Glenfiddich). This time though, they were somewhat spicier, with hints of coconut and a certain dusty nuttiness I likened to marzipan.

Palate

I found the 26 year old had a fairly light body to it, but still managed to be oily. A fair whack of spice up front turned creamy, almost crème caramel like, revealing a nice full mouth of flavour. Sipping again, some of those older oak notes appeared – I got some kiwi, zest and coconut on the palate. I had to pick up the bottle to check that this was indeed a 43% ABV whisky as it carried a fair bit of heat with it, feeling like it had a higher ABV (a nice thing in my opinion).

Finish

The sweet creaminess lasted for a good while, however I found the dominant notes on the finish to be spice and tarty zest. As you’d expect of a whisky of this age, some drying oaky notes (some might say pencil shavings) became more apparent as time went on, but I never found them unpleasant.

Glenfiddich range

The Glenfiddich 26 year old is available in Australia now, with retail process starting at $499 a bottle. A sincere thanks to William Grant & Sons for the invite, a highly enjoyable evening that I still remember vividly.

The Balvenie TUN 1401 gets a new sibling?

The Balvenie Tun 1509 and other new offerings from William Grant & Sons

It looks like the good folks at William Grant & Sons have been rather busy of late. If these label approvals are anything to go by, we might be able to expect a couple of new offerings from two of their stalwart distilleries, plus a well-aged offering from one of their a rarely seen, long-closed distilleries.

The Balvenie TUN 1509

First up is The Balvenie TUN 1509 – a younger brother to the fabled TUN 1401 perhaps?

TUN1509

‘Younger’ is purely my own speculation. But given the average age of the various TUN 1401 batches is often around the 30 year mark, I can’t imagine The Balvenie would be releasing another vatted malt into their line-up that was any older.

We’ve seen nine batches from the TUN 1401 series now and the Taiwanese exclusive TUN 1858 has also seen two releases over the last few years. So what to make of this latest release? A third permanent offering in the revered TUN series? A replacement for the others? Your guess is as good as mine, but there’s one thing we can be fairly sure of, and that’s the fact that this will fly off shelves.

Glenfiddich ‘The Original’

This next one sounds like an interesting concept. As you’ll read on the label, Glenfiddich looks to be releasing a new no age statement expression inspired by their original Straight Malt. If you’re unsure of the significance, in 1963 the Glenfiddich Straight Malt was pretty much the first single malt whisky to be actively branded as such and exported around the world.

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Although label details have only recently been released, I came across this curious blog post which indicates that this project may have been in the works for a number of years. Was the Glenfiddich ‘The Original’ tested on distillery visitors under the working title of Glenfiddich ‘Retro’? It certainly sounds like it!

Ladyburn ‘More than 40 years old’

If you’ve never heard of Ladyburn, there’s a pretty good reason for that. The final casks of this Lowland malt were laid down 39 years ago, back in 1975. Adding to that, the distillery itself was operational for a mere 9-10 years in total.

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From what I can tell, the last official release was a 1973 Ladyburn bottled back in the year 2000 at 50.4% ABV. Aside from a handful of independent bottlings since (sometimes under the name Rare Ayrshire), this is malt that’s rarely seen indeed.

Nice to see a new official bottling of Ladyburn from William Grant & Sons, but some might find the 40% ABV a tad disappointing (if indeed, that’s what it ends up being).