Whisky tasting with Ian MacMillan

Sampling some of Burn Stewart’s finest single malts at The Wild Rover, Sydney

Earlier this week I was fortunate enough to be invited to a rather special whisky masterclass hosted by a true stalwart of the whisky industry, Mr Ian MacMillan.

A long way from home, Ian was on his first-ever Australian visit to attend the Top Shelf boutique drinks festival down in Melbourne. But before making the 17,000-odd kilometer journey back to Scotland, he generously found some time in his schedule to host this great masterclass at The Wild Rover in Sydney’s Surry Hills (keep an eye out for a post on this very cool bar shortly!)

Ian MacMillan

I refer to Ian as a true stalwart as he entered the whisky industry at the age of 18, starting his career at the Glengoyne distillery back in 1973. Over the following 40 years, Ian worked his way through numerous distilleries, from the ground up. He proudly tells us that he’s one of few in the industry today who can honestly say that they’ve ‘worked every single job in a distillery’.

It’s this kind of dedication that’s lead him to where he is today, as Head of Distilleries and Master Blender for Burn Stewart Distillers. Even if you haven’t heard of Burn Stewart, you’ve probably heard of their single malts – Deasnton, Bunnahabhain and Tobermory.

On with the drams then!

I would have been pretty happy to just listen to Ian’s fascinating stories all afternoon, but we were at The Wild Rover to taste some whisky – and taste whisky we did.

Tasting glasses

Before I launch into these though, it’d be remiss of me to not mention something about Ian’s whisky making philosophy. You see, he took great pride in explaining that when it comes to whisky making, he considers himself a ‘pure traditionalist’.

Among other things, he made a particular point of  recognising the role that people play in making the whiskies in the Burn Stewart portfolio. ‘The people working at these distilleries have such pride and are so proud of what they make … tell me of any computer panel that has that kind of passion for making liquid’.

It’s also worth pointing out that all four of the single malts we tried were non-chill filtered, natural colour and bottled at a generously enjoyable 46.3% ABV.

Ian talking

Ian’s reasoning behind non-chill filtering was a pretty good one too.. ‘we’d been making whisky for 800-odd years before chill filtration was invented and there was bugger-all wrong with it back then’ – so why do it now? Classic.

I found his whole approach pretty admirable and after hearing what Ian had to say, I couldn’t help but feel like it added a little something special to the four whiskies we were about to taste.

Deanston 12 year old

First cab off the rank was a whisky that I’d heard of, but never tasted – Deanston 12 year old. From Perthshire in the Central Highlands region, Deanston was opened in 1966 in an old cotton mill.

Deanston 12

Ian reckon’s it’s the most honey-influenced malt you’ll find. I always thought The Balvenie would hold that crown, but after tasting it, he could indeed be right!

Matured solely in ex-bourbon American Oak casks, I got some big honey notes on the nose, with hints of a citrus-tang, sweetness, orange zest and vanilla. This translated rather nicely to the creamy, oily palate with fresh zesty citrus notes and honeycomb sweetness finishing with some light spice.

Bunnahabhain 12 year old

For those of you who haven’t encountered Bunnahabhain before, it’s produced on the isle of Islay, but unlike some of its heavily peated brethren, Bunnahabhain’s core range is actually un-peated (well, that’s a little lie, it’s peated to around 2 – 3 parts per million – but that’s almost nothing).

Bunnahabhain 12

Around 40% of the content in the 12 year old is matured in first-fill ex-Oloroso sherry casks, so you get some wonderful nutty raisin notes mixed in with some light zesty fruit, sweet cured meat (well, that’s what I was reminded of anyway!) and the faintest whiff of smoke.

The intriguing nose is followed by a lovely viscous palate that nicely balances sweet and salty elements, fruit and really mild peat, finishing with a briny/salty tang. I’ve got a bit of a soft spot for this one.

Tobermory 15 year old 

You’ll find Tobermory off the west-coast of Scotland on the Isle of Mull where they’ve officially been distilling since 1798. I say ‘official’, as records show that they actually started some 300 years earlier, back in the 15th century! 

Tobermory 15

Quite a unique, heavy nose on this. I got hints of roasted coffee, dark chocolate, dark fruits and a faint salty/tangy note. Looking back over my notes, I think I wrote the word ‘rich’ about three times without realizing it.

As with the other two, another lovely oily mouth-feel on the Tobermory. Flavour wise, I couldn’t help but be reminded of fruit and nut chocolate, fruity sherry (minus the sweetness) and a slight tang, all giving way to a long warming finish. 

Ledaig 10 year old 

Ah Ledaig. Looks simple to pronounce – Lé day-g – but if you, like me, thought that’s how it’s pronounced, then you’d be wrong. Ian tells us it’s pronounced something like ‘Lech-igg’ or ‘Led-chigg’. Got to love Gaelic. 

Ledaig 10

Produced at Tobermory, Ian informs us that with Ledaig, he set out to produce a whisky that was similar in characteristic to what would have originally been produced at Tobermory.

On the nose, the Ledaig 10 year old has light, warming wood-smoke honey notes. This translates nicely to an oily palate and a warming finish, with hints of citrus that turn rather drying after a short while.

Some final thoughts

The masterclass drew a crowd predominantly made up of industry and bar staff from all over Sydney, but there also happened to be two of Sydney’s finest drinks bloggers in the room – Corinne from Gourmantic and Matt from Distant Thunder Whisky Club – two fellow whisky fans whose sites are well worth the read. It was a real pleasure meeting you both!

I don’t know about everyone else in the room, but I already had a bit of a soft spot for Bunnahabhain and Tobermory. After hearing more about them, I feel as though these are a couple of quality, underrated whiskies that drink a fair bit higher than they’re often scored. I’d definitely keep an eye out for these behind your favourite bar if you’re looking to try something new.

A sincere thanks to Ian MacMillan for his time and to the folks at Island2Island Beverage Company for brining him out to Australia. I genuinely hope we get to see more of him, and his whiskies, in the near future.

Nicks Wine Merchants

Searching for whisky in Melbourne, Australia

On a recent trip to Melbourne, I finally made the short trek to a store that I’ve visited hundreds of times online – Nicks Wine Merchants.

You’ll find Nicks in Doncaster, around 19km (11 miles) east of Melbourne’s CBD in the same shop they’ve been in for over 50 years. Walk through the doors and it’s pretty hard to not get a little bit excited with this sight.

Nicks selection 1

Way better than browsing online! I’m pretty sure I stood there for a good 5 minutes with my mouth slightly agape.

Nicks selection

These photos probably show a third of what they had on their shelves – everything from Glenfiddich 12 year old to Highland Park 40 year old, Jim Beam white label to George T Stagg and hundreds of bottles in between.

They even have a really well-stocked tasting counter where they’ll happily let you try before you buy – and not just core range bottles either!

Nicks - tasting

Hang on a sec, what’s that Ardbeg lurking in the corner?

Nicks - Alligator lurking

That’s right, they even had a bottle of Ardbeg Alligator available to taste! It’s not every day someone offers you a free taste of Alligator.

Nicks - Ardbeg

I didn’t take down any tasting notes, but yes, it was a pretty nice one.  Would I pay current collector prices for a bottle though? No – as I’d want to open it and drink it and just don’t think I’d get three times the enjoyment of a lesser-priced Ardbeg… In saying that, it was pretty special drop and it would be a rather nice feeling to have one of these in your cabinet!

The staff at Nicks were genuinely knowledgeable about whisky (and all of the products they stock). We ended up talking about Glenmorangie Ealanta and The Whisky Bible phenomenon (Ealanta sat on shelves for a good six months in Australia before seemingly selling out over night following the whisky of the year announcement).

I hadn’t actually tried it, but they soon sorted that one out for me, kindly finding an open bottle out the back.

Nicks - Ealanta

Quite unlike any other Scotch whisky I’ve tried before – heavy on the bourbon notes and spice, but still unmistakably Glenmorangie. The small quantity of this that landed in Australia should have sold-out on taste alone – really quite enjoyable. Before you bombard their website – like everyone else, they’re sold out.

A big thanks to the friendly and knowledgeable staff for their time and for the good whisky banter. If you live in Melbourne – or you’re just passing through – Nicks is well worth a visit for any whisky or spirits fan.

News for Australian Glenmorangie & Ardbeg fans

Glenmorangie Companta

If you’re a Glenmorangie fan, there’s a good chance you’ve heard of their annual ‘Private Edition’ release. It all started with the highly-praised Sonnalta PX back in 2009, followed by Finealta and Artein. Then there was last year’s release, Ealanta, which was awarded whisky of the year by the author of the Whisky Bible, Jim Murray. The 2014 Private Edition release – Companta – has just gone on sale in both the UK and USA and is fast selling out by the looks of it.

From what I understand, approx. 60% of the whisky in Companta has been matured in ex-Grand Cru casks from Clos de Tart, with the remaining 40% coming from whisky that’s been matured in ex-Rasteau fortified wine casks from Cotes du Rhone.  These were then married together, producing the amazing crimson-amber hue seen in the photo below.

serlin_32729

Source: Kevin Mackintosh for Glenmorangie

The Australian market missed out on the first few releases, but the folks at Moet-Hennessy (the Australian importers of Glenmorangie & Ardbeg) did bring Ealanta to our shores last year. Will we see Companta arrive this year?

No official confirmation from Moet-Hennessy at this stage, but I’ve heard from someone in the industry that Companta will be reaching our shores around April. Let’s hope they’re right, as I for one am really looking forward to trying it.

Ardbeg Auriverdes

This next one hasn’t been officially announced just yet, but someone did a little digging around online and managed to find these very curious front and rear labels for the new Ardbeg Auriverdes. I have a feeling we’ll be hearing a lot more about this one in the coming months!

Auriverdes frontAuriverdes rear

Along with the name (which I believe translates to ‘Gold and Green’), the wording and imagery on the label has lead many to speculate that Ardbeg’s latest has some association with the 2014 FIFA World Cup in Brazil.  Here in Australia, we’d like to think the green and gold reference has something to do with us – I somehow don’t think that’s the case though.

As with Companta, there’s no official confirmation from Moet-Hennessy just yet, but rumour has it we will see this expression in Australia around June. In time for Ardbeg Day 2014 perhaps? I guess we’ll just have to wait and see.

I don’t know about you, but I can’t wait to try both of these expressions!

ps. I always like to include my own photography in my posts, but until I’m able to get my hands on these gems, these stock images will just have to do! Isn’t Kevin Mackintosh’s photography magical!

Bakery Hill Cask Strength Peated Malt

NAS, 60% ABV, American Oak, Victoria, Australia 

I recently exchanged a number of emails with the friendly and helpful people at Dram Fine Whiskies in Melbourne Australia. A week or so later I was genuinely excited when a small box arrived from them with a few samples of some great Australian single malts that I hadn’t tried – this Bakery Hill was one of them.

Bakery Hill

Bakery Hill distillery started in 1999 in Victoria, Australia. Fast forward 14 or 15 years and they now produce six or seven different single malt whiskies, along with a Vodka and a Gin.

Did you know… 

Bakery Hill originally tested out their peated malt whisky using imported malt from the UK, before switching to Australian peated malt in 2005.

Nose 

Big sweet alcohol spirit nose.  You know it’s cask strength, but it’s still somehow soft and a bit mild.  I get hints of malty cereal notes and really soft peat in the background.

Add a few drops of water and the nose really opens up with some light creamy vanilla notes, sweet oak and light peat smoke.  Much better!

Palate

A big smack in the mouth of oily, viscous spicy sweetness. Really light fruit notes – almost a bit sour – hints of smoke, spice and oak.

Some water brings out a nice creamy sweetness and highlights those fruit notes a bit more. It also allows the peat to show through, bringing with it a somewhat drying nutty oaky-ness.

Finish

Wave after wave of warmth (really though, that’s kind of what you expect for a 60% ABV heavy weight) The warmth gives way to some earthy drying peat notes.

Water tames the finish, only ever so slightly though. Warming spice, earthy peat and a slight dark cocoa/oak bitterness right at the back.

Comments

When I saw the words ‘peated malt’ I was expecting something a lot more in your face, but this was somewhat delicate, especially as far as the peat is concerned.

I could be wrong, but I’m guessing this batch is post 2005 (when they started using Australian peat). It seems to have a drying earthiness to it, similar to a Speyside peated whisky, like a peated BenRiach. It’s quite different to the Isaly peat we’re most familiar with.

Some people like their cask strength whiskies neat (and some cask strengths actually taste better neat), but I think this one really benefits from a few drops of water – that’s when it really opened up for me. I suspect this is fairly young, but it’s got some great flavour going on, so I would love to see something older from Bakery Hill in the future!

A big thanks to Shaun from Dram Fine Whiskies in Melbourne for the sample.

Nant Sherry Cask

Distillery bottling, 43% ABV, cask No. 31, bottle No. 39, NAS, Central Highlands, Tasmania

Seeing as though The Whisky Ledger is based in Australia, I thought it would be fitting to make one of the first entries a local whisky. This little gem hails from Australia’s only ‘highland’ distillery, Nant, which can be found in a quaint little Tasmanian town called Bothwell.

After heading an hour north of Hobart, you put your faith in your GPS and turn off a sealed road onto a slightly dodgy-looking dirt and gravel track. After a bit, your GPS starts blinking and telling you that you’re no longer driving on a road of any description. Stones start to flick up and clank against the side of your car and you start thinking about that little clause in your hire-car contract about avoiding roads like this… then before you know it, you’re greeted by this.

Nant

I could go on for pages about the distillery itself, it’s just spectacular and has some great history behind it. I’ll save that for another time though, as this post is all about the liquid.

Nant bottle

The Nant single malts have an almost apothecary styled presentation, not all that dissimilar to the Elements of Islay bottling. I like the fact they’ve gone down this path with a squat, broad bottle – something a bit different to your classic taller single malt bottles.

Nant label

This particular bottle was from an American oak sherry cask, which was cut down and re-coopered in Australia to a size of 100 litres. The labels are hand numbered with batch and bottle numbers, so you really know that you’re about to sample some small-batch, craft distilling.

Nose

Easy to tell it’s a sherry cask, but quite different from the sherried nose you get on a Scottish single malt – it’s sweeter, lighter and slightly creamy – not that all out rich red-fruit kind of nose. You could almost say it’s got sherried-bourbon characteristics, which could have something to do with the fact it’s matured in an American Oak cask (albeit, an ex-sherried one). Really easy to nose this one for a while.

Palate 

The nose carries through to the palate pretty well – nice medium mouth feel to it with some oils, initial sweetness, followed by spice and light alcohol burn. This release was pretty young (around three to four years), but it certainly doesn’t lack character.

Finish

The palate fades reasonably quickly to a long and slowly warming finish – you get this great, tingle at the front of your tongue, accompanied by a slightly creamy sherry coating at the back that just lasts and lasts.

This bottle has been open for around a year and has really evolved. At first it was a bit on the thin side and the younger spirit shone through, but with some air it’s really opened up and matured. It’s got some nice body to it now and those creamy sherry notes have become more pronounced.

I recently had the pleasure of re-trying their bourbon barrel cask-strength (which rates in the mid-90s by Jim Murray) and a port-cask version, bottled at 48% which had a pretty amazing palate to it.

There’s some really good stuff coming out of them there hills – one to keep an eye on for sure.